Environmental impact of new technology essays

Environmental impact of new technology essays Environmental Impact of New Technology Things like SUVs and Jumbo Jets may be a good thing now, why they get us around from place to place very quickly. But from using these modern conveniences we are actually harming the environment. The pollutants released from these and many other machines are depleting the worlds supply of Oils and gasoline, burning these fossil fuels is also damaging the environment. The air is becoming polluted and harder to breathe; clean water supplies are becoming less clean! Many producers of such products wont fess up to the environmental damage they are undoubtedly causing. While these effects are not as sever as the original factories of the world we are still feeling these effects. If an alternate source of power is not found soon the world as we know it may very well end. With the innovation of machines to help us do work things have gotten much better for the workers, or have they? Many machines also do the jobs of assembly line workers much efficiently and without pay thus depriving many people of jobs they used to support there families with. These new machines dont have unions or require pay, everything they need to keep going can be found in a tool kit. If this trend continues many more people could be without jobs and living on the streets. A recent problem within our business society has been scandals. Enron, Martha Stewart, and any other instances of inside trading have been popping more and more. What was the cause? Money, the driving factor behind business was the cause for this criminal offence. But why get greedy when you already have it all? Many of these cases come from people that already have a large house and enough money to buy a small island with. But why wont they settle at that? The burning desire to have it all must have poured through and eventually drive ...

Origins of the Cornucopia in Greek Mythology

Origins of the Cornucopia in Greek Mythology Definition: The cornucopia, literally horn of plenty, comes to the Thanksgiving table thanks to Greek mythology. The horn may have originally been that of a goat which the infant Zeus used to drink from. In the story of Zeus childhood, it is told that he was sent away to a cave for safekeeping to prevent his father Cronus from eating him. Sometimes it is said that he was nursed by a goat named Amalthea and sometimes that he was fostered by a nymph of the same name who fed him on goats milk. While an infant, Zeus did what other babies do cry. To cover up the noise and keep Cronus from finding out his wifes plot to protect her son, Amalthea asked the Kuretes or Korybantes to come to the cave in which Zeus was hidden and make lots of noise. There are various versions of the evolution of the cornucopia from a horn sitting on the head of the nurturing goat. One is that the goat tore it off herself to present it to Zeus; another that Zeus tore it off and gave it back to the Amalthea-goat promising her abundance; another, that it came from a river gods head. The cornucopia is most frequently associated with the goddess of the harvest, Demeter, but is also associated with other gods, including the aspect of the Underworld god that is the god of wealth, Pluto, since the horn symbolizes abundance.

Hieronymus Bosch Essay Example | Topics and Well Written Essays - 1500 words

Hieronymus Bosch - Essay Example Nobody knows exactly when he was born, because his birth was never documented. He was the fourth child in a family of five and was born immediately into a family of painters (â€Å"Bosch† 8). His great-grandfather (Thomas van Aken), grandfather (Jan van Aken) and father (Anthonis van Aken), his brother Goessen and at least three of his uncles were painters. The workshop of the Van Aken family was first on The Vughterstraat in Den Bosch, later they moved the workshop to De Markt, the market (Jheronimus Bosch Art Center). Family Almost nothing is known about the youth of Hieronymus Bosch. Suspected is that he studied and worked in the atelier of his father (DK Publishing 9). The only facts that did surface about his personal life were found in official documents and reports of the city of Den Bosch. In 1478, Hieronymus’ father died and he and his brother Goossen took over the workshop (DK Publishing 8). This atelier was located in â€Å"In Sint Thoenis†, a building his father had bought in 1462, on the eastside of the Markt in Den Bosch. On January 3rd 1481, Hieronymus renounced his part of the parental house, what he left to his brother Goossen, after his brother Jan and sister Herbertke had done the same. On June 15th 1481, Hieronymus got married to Aleid van de Meervenne. He married above his class and improved his financial status. Due to this marriage, he probably got possession of the building â€Å"Inden Salvatoer†, which is located on the northside of the Markt, where he developed a new workshop. The marriage stayed childless (Jheronimus Bosch Art Center). The Naming of the Master Painter As from 1490, Hieronymus signed his work with ‘Jheronimus Bosch’ and in 1504 he was mentioned in the accounts of the city of Den Bosch under the name of ‘Jeronimus Van Aeken’. In 1510, he was mentioned as ‘Jheronimus van Aken, who calls himself Jheronimus Bosch’ (Bosing 14). This could indicate that Hiero nymus was also known outside of Den Bosch, or that he lived outside for a while. Remarkable is that he was called a ‘master’ only after his death, although his brother was called a master long before. Religious Life Just like his father and grandfather, Hieronymus became a member of the â€Å"Illustrious Brotherhood of Our Blessed Lady† in 1486 and became a ‘sworn member’ in 1488 (Jheronimus Bosch Art Center). With this membership, Hieronymus entered the social elite of the city. Several other members of the brotherhood were Jan Heyns, the architect of the Saint John’s Cathedral, and Pieter van Os, secretary of the city (Verbeek 193). Through his new friendships, Hieronymus received several orders, such as the designing of the two altar-wings for the chapel of the Saint John’s Cathedral and the design of a stained glass window for the chapel of the Illustrious Brotherhood (Bosing 14). The members of the Brotherhood were mainly clergymen and scholars. Not only was the Brotherhood a potential client for Hieronymus, also the separate members could act as clients. The influence of the Brotherhood was probably very large on het life of Hieronymus. At least he met many other artists, from inside and outside the city, like the architect Alart Duhamel and sculptor Adriaan van Wesel (Van Dijck 53). Hieronymus was also said to be a member of a sect, the â€Å"Brethren of the Free Spirits†, also known as the â€Å"Adamnites†